Listen¶
Every sound on this page is rendered by the same DSP core the patch.Init firmware and the VCV plugin run, through the same panel mapping, so each one is knob positions and CVs you can dial in yourself. They are dry (no reverb, no effects), mono, normalised to −1 dBFS, and rebuilt from the current code every time the docs are published. Above each player, the spectrogram shows time left to right and frequency from 30 Hz to 16 kHz on a log scale, so the low end isn't squeezed into a sliver; the WAV link downloads the 48 kHz original.
The three macros¶
Each macro on its own, swept from nothing to full.
FLESH C2. FM sidebands arrive, then the fold opens from glassy to snarling, then it tips asymmetric. How to patch it.
MALICE A1. Sine to saw through the lower half, still harmonic; then over the edge into chaos, and collapse.
LEGION C2 with a little FLESH. The sub first, then detuned voices fade in and beat, then drift pulls them apart.
Six evil patches¶
The patches from the README and Six evil patches, each ten seconds.
2 · Lorenz growl A chaotic modulator in audio range, like an engine that won't idle. How to patch it.
In a rack¶
Longer pieces that use the module the way a rack would: an LFO or an envelope into a macro's CV, a sequencer into V/OCT, and for the struck sounds a VCA after the output. The knob positions and modulation are in test/patches.hpp.
Hex sequence 16ths at 128 BPM in E phrygian. Each step's envelope hits FLESH and a VCA while MALICE creeps up.
Lorenz choir A free modulator on Lorenz just below the note, LEGION full, FLESH breathing slowly.
Bells of ruin A 1:7 ratio struck every 1.5 s through a VCA, MALICE climbing through the edge into chaos.
